Rozemarlin Borkent Dutch, b. 1987

Works
  • Rozemarlin Borkent, Jin
    Jin
    Rozemarlin Borkent
    €2,500
  • Rozemarlin Borkent, Shilin
    Shilin
    Rozemarlin Borkent
    €2,250
  • Rozemarlin Borkent, Lily
    Lily
    Rozemarlin Borkent
    €3,500
  • Rozemarlin Borkent, Lady in Gold
    Lady in Gold
    Rozemarlin Borkent
    €2,250
  • Rozemarlin Borkent, Still life no. 1
    Still life no. 1
    Rozemarlin Borkent
    €3,500
  • Rozemarlin Borkent, Mei
    Mei
    Rozemarlin Borkent
    €2,500
  • Rozemarlin Borkent, Zaira
    Zaira
    Rozemarlin Borkent
    €3,750
  • Rozemarlin Borkent, Yuri
    Yuri
    Rozemarlin Borkent
    €3,750
  • Rozemarlin Borkent, Eve & Adam
    Eve & Adam
    Rozemarlin Borkent
    €3,500
  • Rozemarlin Borkent, Lady in Orange
    Lady in Orange
    Rozemarlin Borkent
    €3,500
  • Rozemarlin Borkent, Suraya
    Suraya
    Rozemarlin Borkent
    €3,750
  • Rozemarlin Borkent, Mirei
    Mirei
    Rozemarlin Borkent
    €3,500
About
``I am that I am.´´

Rozemarlin Borkent is a Netherlands-based artist born in 1987. She graduated from the KABK, Royal Academy of Visual Arts in The Hague. Growing up next to the beach, the vast expanse acted as a fresh canvas for her to dream in her own world.


Inspired by the beauty of diversity and different perspectives, her work revolves around creating new beings by combining photos from diverse individuals, old photographs, and Al. Through her work, she aims to immortalize the essence of humanity’s soul.


Rozemarlin’s art has been featured in Vogue and exhibited at prestigious events like the PhotoVogue Festival and London Art Biennale. Her creations capture the beauty and complexity of human existence, inviting viewers on a journey of imagination and introspection.

 

"My creative process begins with a conceptual vision – an initial, intuitive idea that determines the direction of my work. This vision, although abstract, forms the basis for an exploratory phase, in which I use various digital techniques to translate it into a tangible form. Such as Photoshop, morphing software and AI.

 

I approach artificial intelligence as a tool, an extension of my creative palette, rather than an autonomous entity. Through a process of generation and curation, I use AI to produce a wide range of visual possibilities, selecting elements that best match my vision.

 

In Photoshop, I use these elements to build a composition that sometimes incorporates parts of antique and/or contemporary photographs, such as eyes. I fuse these eyes with the eyes I have created digitally using morphing software, creating “new eyes”. Every detail in my work is manually adjusted, refined and manipulated until I am satisfied with the end result. I see this process as digital painting."